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| Janusz Koman - Włodzimierz Patuszynski |
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Janusz Koman Composer, arranger, pianist and producer born in Lodz. |
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| He began his musical education on piano at the age of 6. | ||
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| At the age of about 13-14 he began his studies in the percussion class led by Professor Skowera at the music school in Lodz, and in the trumpet class with Professor Szejwałło. | ||
| He founded his first band in Łódź under the name: | ||
| 47th generation of Piast and Rzepicha | ||
| in the club of the Lodz Sports Club, where the program was dominated by the Beatles and Rolling Stones repertoire. | ||
| At the age of 17 he went to Gdańsk, where he joined the Whisperers band at the ZAK student club. | ||
Debut on the professional stage - May 1967 in the "Red-Black" band. From 1969 to 1972 cooperation with PAGART. In 1972 - program: "Krystyna Pronko and Koman Band" |
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1973 - 1991 Polish Song Festival in Opole
and other festivals: |
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| Opole`73 |
Krystyna Pronko
-
award in the
Interpretation
category- "Po co ci
to chłopcze"
(Koman-Szczepkowski) "Umarłe krajobrazy" (Koman-Walczak) |
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| Opole`74 |
Janusz Koman -
award for the
best arrangement
- "Papierowe
ptaki"
(Koman-Szczepkowski),
in performance Krystyna Pronko |
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| Opole`75 |
Krystyna Pronko
-award
in the Interpretation
category
- "Anioł
i róża"
(Koman-Szczepkowski, "Niech moje serce kołysze ciebie do snu" (Koman-Dutkiewicz) |
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| Sopot`77 | Zdzisawal Sosnicka - Grand Prix du Disque - "Jeden świat" (Koman-Kofta), | |
| Opole`78 | Premiere of the rock opera "3400 years after Icarus" (muzyka J. Koman, libretto B. Olewicz) | |
| Sopot`80 | VOX - Festiwal Interwizji - 1st Record Day Award and Audience Award | |
| Bratysława`80 | VOX - Grand Prix, Golden Lyre, Bronze Lyre | |
| Opole`85 | Janusz Koman - special award for arrangements of festival songs | |
| Opole`86 | Janusz Koman - distinction in the arrangement category | |
| Opole`87 | Janusz Koman - award for the song "Zagranicą" (Koman-Korczakowski) | |
| Opole`91 |
Janusz koman
- award for the song
"Moja
cierpliwość"
(Koman-Młynarski) in performance Danuta Błażejczyk |
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Creative
collaboration: Stan Borys, Andrzej Dabrowski, Wojciech Mlynarski, Zbigniew Wodecki, Ryszard Rynkowski, Zbigniew Namyslowski, VOX, „2+1”, Czerwono-Czarni, Niebiesko-Czarni, Andrzej Zaucha, Hanna Banaszak, Ewa Bem, Majka Jezowska, Jacek Skubikowski, Grazyna Lobaszewska, Krystyna Pronko, Zdzislawa Sosnicka, Urszula Sipinska, FIESTA, Janusz Kondratowicz, Maria Czubaszek, Bogdan Olewicz, Wlodzimierz Patuszynski, Wojciech Waglewski, Jan Wolek, Danuta Blazejczyk, Krzysztof Krawczyk, Krzysztof Dzikowski, Grzegorz Walczak, Janusz Szczepkowski, Jacek Korczakowski, Leonard Kaczanowski, Andrzej Olejniczak, Krzysztof Scieranski, "Adzik" Sendecki, Zbigniew Jaremko, Jan Zajac, Marek Dutkiewicz, Agnieszka Osiecka, Jonasz Kofta, Maria Czubaszek, Jerzy Gruza, Janusz Kondratiuk, Orchestras: Henryk Debich, Stefan Rachon, Zbigniew Gorny, Jerzy Milian, Andrzej Trzaskowski, Polish Radio and Television in Lodz, Poznan, Warsaw and Katowice Concerts: Europe, the Middle East, Cuba, Italy, and the entire territory of the former USSR Recordings: over 400 pieces for Polish Radio, TV, Polskie Nagrania, Pronit, JKP Studio, musicals, rock operas, film, theatre and ballet music. Film: 2010-2012: full-length film interviews with outstanding artists from the ZAiKS Authors’ Association, such as:: Jacek Bochenski, Jozef Hen, Wojciech Mlynarski, Jacek Cygan, Romuald Lipko, Jerzy "Dudus" Matuszkiewicz, Edward Pallasz, Ryszard Poznakowski, Eustachy Rylski, Krzysztof Dzikowski, Feliks Falk, Zbigniew Holdys, Janusz Kondratowicz, Henryk Kuzniak, Ilona Lepkowska, Janusz Majewski, Andrzej Mogielnicki, Bogdan Olewicz, Adam Slawinski. Koman Production Publishing House: From 2000 to May 2017, approximately 5,000 titles were developed in the form of scores, pianos and voices for instruments: vocal, guitar, keyboard, bass, drums. In 2021, he was awarded the Bronze Medal for Merit to Culture – Gloria Artis. |
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| Lexicon of Polish Popular Music" - author Ryszard Wolanski. Publishing Agency "MOREX" - Warsaw 1995 & Koman Production | ||
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He made his debut in the 1930s with lyrics for the famous revue band "Four Aces". Before the war, he performed as an actor and singer in revue theaters. He also wrote cabaret lyrics. He had an exceptional gift for creating quickly. He gained real popularity through performances during which he answered audience questions with an improvised song or monologue. During the war, he performed in Vilnius and Lviv. |
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After liberation, he
played and sang in theaters in Chełm, Lublin, Krakow and
Katowice. He performed, among others, with Zygmunt Karasiński's band 1000 Taktów Muzyki Jazzowej. As a compere, he led numerous concerts of popular singers and stage bands of the time, including in 1952 he participated in the famous Pociąg do Śmiech event in Gliwice with the participation of Maria Koterbska and Jerzy Harald's orchestra, in the Sopot Tournament of Joy with Janusz Gniatkowski. He started writing lyrics for songs again. His first post-war hit was the song To być taki prosty with music by Wiktor Kolankowski and performed by Rena Rolska. He was one of the promoters of jazz. In 1958 he settled in Szczecin. He collaborated with the Muzyczna Scena Poezji "13 Muz", also known as Kabaret Piosenki. There he met Jan Janikowski, with whom he soon created one of the best tandems in the history of Polish pop music - lyricist-composer. Together they wrote many hits. They created primarily for the female vocal group of the Technical School of Commerce, which later took the name Filipinki. These songs brought both the group and both artists enormous popularity. He also collaborated with the Szczecin Operetta. He was, among others, the author of the lyrics for Barry Conners' play Roxy directed by Jan Maciejowski (premiered on 18 November 1961), as well as the master of ceremonies for popular New Year's events organised by the Operetta and Estrada Szczecińska. From 1962, he hosted a cyclical, Sunday-long event at the Pomeranian Dukes' Castle, Meeting with a Song, during which, accompanied by the Jan Janikowski trio, he introduced the audience to new Polish songs. In 1963, he moved to Warsaw. He wrote lyrics for the bands Czerwone Gitary, Czerwono-Czarni and Niebiesko-Czarni, as well as, among others, for Maciej Kossowski, Maria Koterbska, Stenia Kozłowska, Krzysztof Krawczyk, Halina Kunicka, Bohdan Łazuka, Czesław Niemen, Krystyna Pronko, Karin Stanek, Jadwiga Strzelecka, Piotr Szczepanik and Andrzej Zaucha. He died on August 11, 1983 in Warsaw. (Wikipedia) |
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Songs with lyrics by Vladimir Patuszynski, including:
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